Our Story
My journey with hand-painted brass jewellery began eight years ago, at a time when I felt creatively suffocated in the world of graphic design. The constant interference and lack of credit slowly drained me. I realised I needed a space where my art could breathe — where I could express myself freely, without limitations.
But like every artist at a crossroads, I was confused.
Should I sell paintings?
Should I switch to digital art?
What else could I do?
The questions made me anxious, until one day it became clear—I wanted to create something people could see, feel, and wear more often than a painting hanging on a wall. That was my eureka moment. I knew I wanted to create wearable art.
I had no formal education in jewellery design, so for almost three years I experimented with hand-painting on different bases—clay, cement, wood. Nothing felt perfect. And then, in 2020, I tried painting on brass... and it worked. That changed everything. I developed my own technique of painting and sealing colours on brass, and soon my first collection—deeply inspired by Pichwai art of Nathdwara and Udaipur—came to life. People loved it.
Being born and brought up in Bhilwara, Rajasthan, art and culture have always been in my veins. Udaipur was like my second home—every summer vacation spent there shaped my artistic eye. That first Pichwai necklace made me believe that staying rooted in your culture is the strongest foundation you can have.
Since then, there has been no looking back. Every year I choose a new theme, a new story, a new collection. You'll find earrings inspired by the walls of Udaipur City Palace and necklaces influenced by the elegance of Jaipur's Chavi Niwas.
My vision is simple but powerful:
to revive hand-painted techniques in this rapidly digital world and keep that heritage alive.